Gundam 00 Raiser & The Right Sort of Green

No, I have not been painting my Gundam green. I'll come to that in a moment. What I've been doing with the Gundam, following undercoating, is getting my base colours on. For all the "dark grey" sprues I've now spray painted Boltgun Metal and given a wash of Baddab black, to create a bit of contrast. I'm of the view that the grey parts of the Gundam are supposed to be metal in appearance, but to keep the price of the kits down they don't do metallic colour plastic.

Aside from being able to give the Gundam a more appropriate colour scheme (in my view), the paint also takes away the shiny plastic look of the model. TBH - this is the main virtue of painting a Gundam for me and you don't really need to do much more than that. My friend Wayne painted up an Endless Waltz Gundam Zero Wing and did nothing more than just apply his own colour scheme. No highlighting or blending or anything clever like that (which Wayne is more than "more than" capable of), apart from a bit of shading in the recesses. The finished model looks stunning. A hugely effective yet simple colour scheme.

I intend to do more in the way of shading and highlighting on my Gundam and hopefully I won't come unstuck in the process. I've not yet decided how I will do the highlighting yet, because at present it is a bit hard to orient pieces on the sprue or even work out which part is likely to catch the most light. I will probably assemble parts and then paint them once I have a better idea of the 3D structure.

But as for the green......

We had another edition of "Paint Club" on Sunday and I picked up the Azrael figure I'd be working on previously and decided that I couldn't continue without tackling the "green issue" which had so hacked me off while painting the Dark Angels devastators. However, rather than compromise the work I'd already done with an "experiment" I brought a spare figure with me and worked on him first to see how the green went.

I'm much happier with these results. I used Orkhide shade for the green, which blends much better with the black and has less of a yellow tinge than DA Green. This gives me the shade and contrast I want, without having to create an overly light highlight. Knarloc green works well for the edge highlighting. I just need to decide how much blending and highlighting work I want to do.

And here's the Azrael in progress. I repainted all the green from the original colour scheme, working from a black base, followed by a 50/50 Orkhide Shade and Black mix, then Orkhide shade and then a simple edge highlight of Knarloc Green. I felt a lot more positive about the experience, so I carried on with building up the highlight on the robe. 

I'll come back to these once the Gundam is complete.

Gundam 00 Raiser - A change (and shortage) of space

This is my workspace, or my workspace of a few months ago. I've made a few changes since then, including a new paint rack from http://www.miniaturicum.de/ who I can heartily recommend.

Same room, different angle. Here you can see how deftly I can switch from relaxing while painting, to relaxing while playing on my computer. Or changing the music I'm listening to. My painting chair is something I'm very particular about as it is, despite probably being about 20 years old, extremely comfortable for painting.

I provide all of this as context, to be clear that I am not cramped away in some cubby hole by my missus where she can hide my pursuits from visitors to avoid embarassment. At the same time, I do not exactly luxuriate for space, but I make do. This exposition is here so we're perfectly clear that I don't have enough space to work easily with a Gundam Master Grade kit.

More after the cut.

Dark Angels - A Slightly Sulky Conclusion

And so the painting of my Dark Angels Devastators (plus a couple of Sternguard) has drawn to a somewhat slightly unhappy close. I've upgraded from the position of very unhappy yesterday because, after having 24hrs to distance myself from the figures I'm slightly less frustrated by my work. Actually, if I were to quote my former boss, I'd say that I was "less than extremely satisfied" by which I believe she meant that unless she was "extremely satisfied" by something, it wasn't any good. I'm not sure I've set myself a bar that high, but when you work for someone like that, their behaviours do influence you.

More angst and analysis after the cut.

Dark Angels - WiP- Seeing Red.....

With the main body of the miniature early on (thanks to the airbrush) I've been taking my time on the details. One of things I'm particularly keen to get right the red on the weapons. Now I've done red on weapons the more traditional way on figures in the past, as you can see on this Deathwatch figure above, which I painted a while back. Now I'm happy with how the gun turned out on this guy, but it's a bit "bright" and "cheerful."

I'm painting "Dark" Angels, so I want something a little more sombre.

I also want the red to be consistent with the zenithal lighting so I only get a sharp highlight at the points where the most light hits the model. At the same time, I want to have a nice shadowy red anywhere the light doesn't hit and have good colour saturation. So I'm using all reds all the time.

In a way, most of the ground work is done in the earlier stages where I used two red paints from a reaper triad that go really well together. The problem with them, is that they're a somewhat purply red and a like my Dark Angels red to be a little bit more fiery. However, the reaper paints are the basis that makes what follows work. All I do is heavily thin some citadel Blood Red and then apply that carefull to the relevant parts of the model for my zenithal highlight, while blending it down into the shadow. This takes quite a few passes.

As the two tones I applied earlier compliment each other really well and the Blood Red is effectively a wash, all that happens is the two tones take on some of the qualities of the red and I lose most of the purple tone. This gives me a colour I like, but I retain my shading and I can still build up a strong highlight that blends well.

The next step is to apply a line highlight to pick out the edges and give those a little more definition. Citadel Blazing Orange or Reaper Lave Orange works well for this. The orange line highlight by itself is a little too obvious, so I go over it again with my Blood Red wash to tidy everything up. After that, I apply a quick wash of Baal red to tidy the transitions up further and just take the edge off the brightness, to give me a darker red.

I really like how this looks, as I get a nice red colour on the weapons, without it being "day glo" and inconcistent with the zenithal lighting on the armour. As you can see on this pick (and the earlier ones), I've also done some some work on the plasma coils to get the brightness right. I'll do a slight particle glow effect to finish them off.

I've also painted the black elements on the weapons and armour. I use the Reaper Dark Elf triad for this, with a blue wash and a black wash afterwards. This gives me a more interesting black colour (which would otherwise be a bit flat). Annoyingly, I think I overdid it on the washes and I'll have to go back to repaint some of the highlighting in, as it is now hard to see there.

I've also done shading and highlighting on the metalwork of the weapons and armour, as well as applying a highlight of mithril silver to pick out the zenithals again. I still need to do some more work here, as I haven't quite got the definition I wanted and I also want to try my hand at Ron's heat stained gun barrel effect for a bit of interest.

Dark Angels - WiP - If I never see snot green again.....

No, I've not been working heavily with snot green on my Dark Angels over the past week. Instead my body has been working full time on producing its own snot green analogue in addition to generally making me feel quite miserable. While this has given me a lot of time at home, it hasn't been productive painting time. As a rule, I tend to avoid painting when I'm at risk of sudden convulsive coughing and sneezing, at best it is off putting for painting. At worst......well your paint job might take on rather more abstract qualities.

Back in the saddle now and I'm trying to be disciplined with Tuesday's as my dedicated painty and blogging night. The dedicated part is less about the painty and the more about stopping to actually do the blog update. I suspect I'm not the only blogger out there who keeps painting until they feel they've got something they're happy blogging about, rather than just stopping and going "hey, this is where I am at." I think there is a certain honesty in the latter approach and I'm going to try from now on to stop around 9pmish (just in time for Alice Cooper on Planet Rock) and take photos of whatever stage my model is at, warts and all.

Back to the models.

Starting with the image above, hopefully you can see I've started applying the mid tone red to the Plasma cannon. I've done this for all the weapons and generally the colour is all over except for those areas in shadow, which I've left as the darker red.

I've also started working on the plasma coils and so far all I've done is base with enchanted blue, painted on a mid tone of ice blue, washed with asurmen blue and given it a quick dry brush over with the ice blue. Its a start for the plasma coil, but there is more to do to get the intensity on the coils right.

I've also applied my mid tone to the bone details of the armour, again working to keep the colours consistent with the light and shadows. I've also applied some of my mid red to the company badge on the knee pad, again working towards the light and I've also started building the detail up on the eyes. This picture also shows one of the issues with working from fully assembled models (which is kind of necessary when you're doing zenithal highlighting with an airbrush), is getting to the detail. Some sacrifices need to be made with the detail at this point and certain areas can be left alone.

That said, some of the detail is just plain fiddly to get at and a steady hand is needed, plus patience to deal with mistakes when they happen.

And they will happen.

I think this is a good "warts and all" picture on the melta, as it shows the application of the mid tone red is quite messy really, even though it doesn't seem that way to the nekkid eye. This will get neatened up a bit as I apply the final highlight and a red wash to tie the transitions together. I've also given all the metalwork (that's not gold) a healthy wash of Baddab Black.

The mid tone bone highlight has gone onto the Chapter badge as well. I'm kind of making these up as I go, so I'm still not entirely sure what the finished result will look like. I think the detailing on the lower wing needs tidying up a bit, just so the highlighting makes more sense.

Funnily enough though, the detail on the little symbol hanging from his belt looks better in this photo than it does to the nekkid eye. Funny how these things work.

Dark Angels - Work in Progress

So my Dark Angels devastators are coming along...........................slowly. What the airbrush giveth, the hand painting taketh away. Getting all the details onto eight figures takes time, even just the basic blocking out of colour, before you start shading and highlighting.

Still, as I'd hoped, the figures are starting to come together as the detail goes on and the zenithal highlighting via the airbrush looks less weird now and will look progressively less so as the details are refined.

This blocking out of colour is probably one of my least favourite stages of painting a model, because it is fiddly and time consuming. I try to avoid any mess, to save time cleeaning up later on, which means careful painting inside the lines. I've also got to think about what colours I want, where I want them and how it will all look when I'm done. Plus I miss bits, I forget stuff and then wind up having to repaint areas because I've moved onto another figure at the one time. So not all the base colours are done yet.

Plus doing the freehand to get the Dark Angels chapter symbol on the shoulder pads (as the DA sprue shoulderpads only have a sword) takes a while as well.

Also,last night appeared to be "not good macro photography night" as it was late and I was tired taking the pics so everything is slightly darker than it should be. This some what exacerbates the zenithal highlighting on the figures, where some of the dark looks darker than it should. I find myself worrying unnecessarily when looking at the photos that the macro photography has made it so the shadow is hiding the shadow effect I've tried to achieve, when in fact, it's displaying it more or less properly.

Rant: If You Can't Say Anything Nice.........

....don't say anything at all.

I imagine this is something that all of us have heard from one of our older and wiser relatives at some point in our lives. I see it as one of the great truisms of existence. Sadly nowhere is this saying more widely ignored on the internet but, I suspect none of us our strangers to this or the effect that "anonymity +audience+complete lack of consequence" has on some people. 

I can't get my head round the mentality of why some people feel compelled to post the comments they do. It probably is the most depressing thing about browsing the blog rolls and stumbling across someone's blog, which they've lovingly put together, showcasing their work which they've clearly invested a lot of time and effort in, only to see that some faceless non-entity has posted utterly non-constructive criticism. Criticism that invariably isn't backed up by any link or way of referencing the posters own work. Not that I imagine for a second anyone with an ounce of self worth, self confidence and ability would spend time trashing someone elses work. Regardless of whatever talent any of us might posess, no one wants to look like an ass in the eyes of the rest of the community or senslessly hurt someone's feelings for kicks.


Where am I going with this? 


Oh yes, "if you can't say anything nice, don't say anything at all."


Basically whenever I look at someone elses blog, that's the first thing that goes through my head. Art is subjective, we all do things differently and I honestly believe that you can learn something from everyone's miniature painting or other artistic endeavours. I've seem mini's that I consider to be poorly painted, from a technical standpoint, but the imagination behind the colour scheme or the conversion or the pose or other aspect of the piece, is something that I can draw inspiration from. Sometimes you can see what was being attempted and perhaps it didn't work, but then you think "would I have the balls to try doing that?"


Now I'm either quietly inspired (more often than not) or I'll post some compliment about whatever inspired me and go on my merry way.


I also think that if you are going to critique someone's work, you need to be clear on what is good about it before you post about what could be improved. And the "language of improvement" is, to my mind, the only valid way to critique, because art is subjective and nothing is ever truly "bad." A paint job might be unaccomplished, it might be untidy, it might be shockingly poorly colour co-ordinated, but they're never "bad." I know people who paint so the figure looks "good at arms length" and they completely achieve that objective. Obviously such paint jobs look a little (sometimes very) rough when subject to macro photography, but that misses the point entirely. Everthing else about the paintjob, the colour scheme, the shading, the light sourcing, etc etc, is all correct. It looks good the way it is supposed to look. It makes as much sense to critique that approach as bad as it does to say "impressionist" art is "not as good" as "photorealism." You might have a personal preference for one over the other, but that's not an objective viewpoint.

There is also a lot of stuff on the blogrolls which is awe inspiring. It is easy to post a compliment but, that shouldn't preclude complimenting with a critical eye. In which case it is what are the things about the paintjob which really stand out to you, where the technique actually has you baffled as to how you'd do it.


I think, and feel free to correct me if I'm wrong, that almost everyone out there in blogland is looking for encouragement and support on their painting. It is encouraging to be complimented, it is equally encouraging to have someone say "This is great and have you tried doing such and such a thing?" because that helps us improve.

Maybe there are very rare exceptions to the rule, but for the greater part, I think every miniature paintjob has it good points and its learning points.

Or to put it another way.

Every paint job is a starting point.